Hello Beautiful folks! It’s been some time since I wrote a post but I have been doing a lot of writing lately and I have been making customized stationary to send to my pen pals all over the globe. I just recently got back into the the #SnailMailRevolution so I created this beautiful stationary based on one of the most revolutionary ladies of our time. Miz. Frida Kahlo. It is saved as a PDF so you can click on the link below or the picture and print your heart away (please use for personal use only). If you would like more inspiration for your mail package make sure to visit my Pinterest board dedicated to Frida Kahlo.
If you have llittle one’s that like to create using all kinds of mediums this is the place for you to have a great family adventure with hands on activities for everyone to enjoy. I found this museum throughsfkids.org a great resourceful site for kid friendly places and activities in San Francisco. So when I showed our 8 year old and our 1 1/2 year old where we were going on our next family adventure they were thrilled ! the Children’s Creativity Museum integrates creative technology with hands on innovation, design, art and music activities to get your kids thinking. We are a pretty Tech friendly family and we use our devices as creative learning resources with the kids so we were all pretty excited to head out to the Children’s Creativity Museum on Sunday and see what the museum had in store for us. Trust me you won’t be disappointed one bit ! Guaranteed.
My Family and I got invited by our friend Will to go toPedalfestin Oakland this year and at the last minute we decide to make our way out to explore what it was all about.Pedalfestis a free celebration of bikes, cycling, food, family and fun! We decided to take our son who is very much into skateboarding, biking and strolling around on his razor scooter. So we weren’t too surprised that this was by far one of his most favorite festivals that he’s been to in the Bay Area. He gave it a five star rating so coming from a 9 year old I know this is a definite favorite destination for the kiddos.
Our first stop was at the Whiskeydrome which had a 30 foot bowl like shaped drome you could ride around in. Way cool and scary at the same time but these guys knew what they were doing and it was like chewing gum and walking at the same time for them.
I recently just found out that I won a pair of tickets to the Bay Area Maker Faire this weekend. From the great team over at Craftzine Blog *smiles*. It’s by far my most favorite Festival in the Bay Area because it’s what the Bay Area is truly about Creating, Culture and Innovation. I’ve Fallen In Love with the Bay Area since I have been here and it’s by far been a Home away from Home. I didn’t get a chance to go last year but I did go in 2010 with the two Love’s of my life. We had such and awesome time and there was something there for each and everyone of us to learn and be excited about. We learned about the Tech Shop where you can go and start building whatever your heart desires. We now officially have one here in San Jose which we were waiting for patiently for. Our son got a great surprise when we came across Lego’s Galore in the kids area. He’s always been a huge fan of Lego’s and of course what little 8 year old boy isn’t? and any grown kid too? Except when I’m stepping on them in the middle of the night trying to get to the bathroom *lol*. Now my new little one will also be joining us for the festivities and she’ll be well entertained. If you haven’t checked out what Maker Faire is all about you should cause if you your the kind of person who like’s Creating and DIY this is your kind of Faire. I’ve always been a Nerd at Heart so I’m so Happy I get to see my Community Thrive and Enspire! Check back and I’ll have Tons of Picture’s from our Maker Faire Adventure !
Kehinde Wiley is a New York based painter from Los Angeles who has situated himself firmly within art history’s tradition of portrait painting. Wiley, as the contemporary descendent of a long line of portraitists including Reynolds, Gainsborough, Titian, Ingres, and others, appropriates the signs and visual rhetoric of the heroic, powerful, opulent, majestic, and sublime in his representations of young, urban, black men.
The subjects and stylistic references for his paintings are juxtaposed inversions of each other, forcing ambiguity and provocative perplexity to pervade his imagery. By applying the visual vocabulary and conventions of glorification, history, wealth, power, and prestige to subject matter drawn from the urban fabric in which he is embedded, Wiley presents his young men as both heroic and pathetic, aestheticized and reified, autonomous and manipulated. Ultimately, Wiley’s practice disturbs and interrupts tropes of portrait painting to locate, in his words, “class struggle at the level of sign”.
Wiley’s paintings often blur the boundaries between traditional and contemporary modes of representation. Rendered in a realistic mode –– while making references to specific old master paintings –– Wiley creates a fusion of period styles, ranging from French rococo, Islamic architecture and West African textile design to urban hip–hop and the “Sea Foam Green” of a Martha Stewart Interiors color swatch. Wiley’s slightly larger than life size figures are depicted in a heroic manner, as their poses connote power and spiritual awakening. Wiley’s portrayal of masculinity is filtered through these poses of power and spirituality.
His portraits are based on photographs of young men who Wiley sees on the street, begun last year with men mostly from Harlem’s 125th Street, the series now includes models from the South Central neighborhood where he was born. Dressed in street clothes, they are asked to assume poses from the paintings of Renaissance masters, such as Titian and Tiepolo. Wiley also embraces French rococo ornamentation; his references to this style compliment his embrace of hip–hop culture. Similarly, the poses of his figures appear to derive as much from contemporary hip–hop culture as from Renaissance paintings.
The artist describes his approach as “interrogating the notion of the master painter, at once critical and complicit.” Wiley’s figurative paintings “quote historical sources and position young black men within that field of power.” In this manner, Wiley’s paintings fuse history and style in a unique and contemporary manner.
Eye Writergroup of artists and hackers have crafted a gadget that lets a paralyzed graffiti artist continue making art using only his eyes. And it costs about as much as an iPod shuffle.
Zach Lieberman of the Graffiti Research Lab started working on the EyeWriter with one man in mind: Los Angeles-based graffiti artist Tony Quan. In 2003, Quan was diagnosed with Lou Gehrig’s disease, leaving virtually every muscle in his body paralyzed except for his eyes. Lieberman and developers from Free Art and Technology, OpenFrameworks and the Ebeling Group were inspired to create low-cost, open-source hardware and software for eye-tracking to help Quan draw again.
Eye-tracking technology, where computers and small cameras harness eye movements for writing, highlighting Web site text and other tasks, has lead to digital tools for disabled users. However, as Lieberman tells NPR’s Liane Hansen, those devices usually have hefty price tags.
Alex Meade is an installation artist based in Washington, DC area. Her back round is in the area of political communications has fueled her intellectual interests in the tension between perception and reality.